Still waiting for our house to sell, not two weeks on the market yet so plenty of time. In the meantime, perhaps a bit more info on the Passive House. In our first post we provided a link to a New York Times article about “PassivHaus” in Europe, and the PassivHaus ‘movement’. That really got interest up in the US – and is where I first heard of the standard. More recently they ran another article, now about houses built right here in the US. It is also a very good article and you can read it here:
We see interest really taking hold in the US and Canada, with write-ups about the standard finding their way into magazines and local papers. A few states, such as Oregon, have also begun to consider incentives they might provide to encourage projects built to the standard. Particularly encouraging to us, the design quality seems to be improving. A recent recipient of a 2011 National AIA Housing Award is a passive house, or claims to be (I’m told it has not actually been certified). Regardless, it is the first built US project we’ve seen that successfully balances strong design with the energy standard – with a national award-winning result. You can view it here:
While on the subject of national AIA housing awards, we might as well mention that we won as well, albeit not for a passive project – read all about it here:
Heliotrope award winning house
In the current issue of Builder magazine is another PH project that is also interesting. It features a somewhat “cathederalish” expression which I find a bit strange for a house, but from the exterior it cuts a strong profile. Check out the article here:
It desperately needs furniture and art too, doesn’t it? (Sigh) to waste such great publicity with photos of an empty building… tragic.
Our goal in moving forward with the Greenlake project is to blend the strength of our design work with the efficiency of the Passive House standard – without major compromises to either design or energy efficiency. This is a tall order, as the standard definitely sets limits on what the architecture can do. For example: no pivot doors and inside/outside framing like the Suncrest project, no sliding glass doors or walls of glass like the North Beach project, no exposed cantilever beams, butt-glazed corner windows, etc. etc.
While the standard does reduce the number of tools we typically consider in creating strong works of architecture, it challenges us to consider new tools – tools that express the relationship of form and function with energy efficiency in the front-seat for once.


